Are Friends More Important Then Family Essay Example for Free

Are Friends More Important Then Family Essay In our daily lives, we socialize with a lot of people, because we have been evolved to cooperate with our species in needs of survival against extreme weather and wild carnivores. generally, in our social life, we are personally closest to two groups of humans : families and friends. Families are the group of humans who shared genetic material with us such as: father,mother,brothers,sister,wife,and son.naturally, family is the most important group of humans to me,because of default characteristics of human genes. Too, because i have a lot of great moment with them.For instance, i remember a moment when we went to a beach and have a lot of fun with them. Also, the one that i most remember, when we are struggling together in poor economic condition Friends are the group of humans outside of family and personally close to us .I have a lot of friends from when i was in junior highschool until now in university.But, from all of them i feel closest to my friends from senior high school.Because, like with my families, i have a lot of good moment with them too. For example, the one i would never forget, we always make a joke about our teacher in the class. Moreover, we also have fought together against students from another school. However, besides my love to my friends, my first priority is my family.For instance, if at the same time i have to choose between hangout together with my family and hangout with my friends, i will gladly choose to hangout with my family.

Ernest Hemingway: Allegorical Figures In The Sun Also Rises Essay

Ernest Hemingway: Allegorical Figures in The Sun Also Rises Thesis: Hemingway deliberately shaped the protagonists in The Sun Also Rises as allegorical figures. OUTLINE I. The Sun Also Rises A. Hemingway's novel. B. Hemingway's protagonists are deliberately shaped as allegorical figures. C. Novel symbolizing the impotence after W.W.I. II. Jake Barnes. A. Wound. 1. Damaged genitalia. 2. Can't make love. 3. Feels desire. B. Wound is symbol of life in years after W.W.I. C. Wound from accident. 1. Accidents always happen. 2. Can't prevent accidents. 3. â€Å"It was like certain dinners that I remember from the war. There was much wine and ignored tension, and a feeling of things coming that you could not prevent.† D. Condition represents a peculiar form of impotence. E. Restrained romantic. F. Private grief with Cohn's public suffering. G. Strongly attracted to Pedro Romero. H. Later, when Barnes says that he hates â€Å"homos† and wants to hit them. III. Lady Brett Ashley. A. First appears with a group of homosexuals. B. Wears man's hat on short hair. C. Refers to men as fellow â€Å"chaps†. D. All complete distortion of sexual roles. E. The war has turned Brett into the equality of a man. F. This is like Jakes demasculation. G. All releases her from her womanly nature. H. â€Å"Steps off of the romantic pedestal to stand beside her equals. IV. Robert Cohn. A. Women dominate him. B. Old fashioned romantic. C. Lives by what he reads. D. To feel like a man. 1. Boxes. a. Helps him to compensate for bad treatment from classmates. b. Turns him into an armed romantic. 2. Likes authority of editing and honor of writing, but is a bad editor and a poor novelist. E. Looks for internal strength in outward signs and sources. F. Willing to suffer publicly and to absorb insults for sake of true love. G. He is ready to fight for his lady and knocks down his opponent like a knight. 1. When he goes against Pedro for Brett. a. Brett tells him off. b. Pedro won't fall. c. Brett stays with Pedro. d. Cohn is left alone. 2. Romantic hero met his match. 3. Shows difference between physical and moral victory. a. Pedro fights for dignity and his spirit is untouched by Cohn. b. Cohn's spirit is crushed. H. Cohn based his manhood on skill at boxing or on a woman's love, not on internal strength. V. Pedro Romero. A. Manhood stands without women. B. Reason Barnes is attracted to him. C. â€Å"Cohn and Pedro are... ...eration are weighed. From this point, Pedro can   Ã‚  Ã‚  Ã‚  Ã‚  be seen as the real hero, man whose code gives meaning to a   Ã‚  Ã‚  Ã‚  Ã‚  world where love and religion are defuncts, where the proofs   Ã‚  Ã‚  Ã‚  Ã‚  of manhood are difficult and scarce, and where every man   Ã‚  Ã‚  Ã‚  Ã‚  must learn to define his own moral condition and then live   Ã‚  Ã‚  Ã‚  Ã‚  up to them (Bloom, 1985, p. 118).   Ã‚  Ã‚  Ã‚  Ã‚  Hemingway purposely shaped the main characters in The Sun Also Rises as allegorical figures. Jake Barnes and Brett Ashley were two lovers desexed by the war. Robert Cohn was the false knight who challenged their despair. Pedro Romero personified the good life which will survive their failure. References Baron's Educational Series, Inc. (1984). The Sun Also Rises- The   Ã‚  Ã‚  Ã‚  Ã‚  Story. [WWW]. URL http://www.kidzone.com:/ecc/sunalso3.htm Bloom, H. (ED.). (1985). Modern Critical Views: Ernest   Ã‚  Ã‚  Ã‚  Ã‚  Hemingway. New York: Chelsea House Publishers Hemingway, E. (1926). The Sun Also Rises. New York: Charles   Ã‚  Ã‚  Ã‚  Ã‚  Scribners' Sons

“The storm” kate chopin Essay

Kate Chopin’s story is set in Louisiana in the early 1900s and in it she portrays the act of love and infidelity. There are two people in a marriage and it is important for each party to feel loved, special, and to receive their desired fulfillments. Chopin uses this story to depict the passionate urges that a person can be overcome with if they are missing it in their own relationship. In the short story â€Å"The Storm,† she uses the literary elements symbolism, point of view, and setting to reveal her perspective on the theme of marriage and fulfillment. Kate Chopin uses the approaching storm as a symbol of bringing the main characters back together. The two main characters, whom are former lovers are Calixta and Alcee. Alcee was coming upon Calixta’s house during the time of the storm and had to take shelter in her home while it passed. The storm is the most significant symbol in the story because it is portrayed as the reason for bringing Alcee and Calixta b ack together. Alcee and Calixta had not seen each other â€Å"very often since her marriage, and never alone† (Chopin 122) which made this approaching storm very convenient for the two because her husband and son were held up at the store and Alcee’s family was out of town. Also, in the story, Chopin describes the storm as â€Å"crashing torrents† (Chopin 123) which could symbolize the passion the two have for one another. The use of colors is also a sign of symbolism for both the lack of passion that is in Calixta’s marriage and also the passion that she has for Alcee. This does not mean Bibinà ´t doesn’t love or care about her because it is mentioned that he â€Å"purchased a can of shrimps, of which Calixta was very fond of† (Chopin 121) which meant he had his wife on his mind. The color white is the most significant color used throughout the story. White symbolizes innocence and purity and in the story it is used to describe Calixta’s breast and neck, and also the â€Å"white, monumental bed† (Chopin 122) that she shares with her husband which could indicate that their marriage is lacking the love and passion. Chopin also describes Calixta’s lips â€Å"as red and moist as pomegranate seed† (Ch opin 123) and the color red symbolizes passion and also danger. The story consists of five different sections and each section is being told from the point of view of different character. Kate Chopin’s use of this method gives the readers the opportunity to understand what is going  on through the eyes of each character. Bobinà ´t and Bibi were caught up at the store during the storm’s passing which left Calixta at home alone with Alcee coincidentally showing up. The story being told in third person omniscient lets the readers know that the narrator understands what is going on in the minds of the character. For example, early in the story the narrator points out that â€Å"she remembered; for in Assumption he had kissed her and kissed and kissed her until his senses would well-nigh fail† (123), which indicated that the narrator knows their thoughts and feelings; this takes place a lot throughout the story. Finally, the setting is a significant literary element because each character’s story takes place in different locations. While the storm was approaching, Bobinà ´t and Bibi were at â€Å"Friedheimer’s store and decided to re main there till the storm passed† (121) and they spent the majority of the story in that location. Next, there is Calixta and Bobinot’s marital home and is the most significant setting in the story because that is where the climax of the story takes place. While Calixta’s husband and son are away she invites Alcee into their home where the two proceed to have long awaited relations with one another. Finally, there is the least significant – but nonetheless, significant – town Alcee’s wife and kids are away at. In the end Chopin makes it seem that infidelity can sometimes be a good thing; after the affair it made both Calixta and Alcee better people as a consequence. The message of the story is not that adultery is only okay if it is necessary it is rather that marriage is between two people. To have a good, healthy relationship each person should be fulfilling of each other’s wants and needs. Through her use of symbolism, point of view, and setting, Chopin gives her readers the understanding of what marriage was like and how a woman could express her womanly fulfillments in the nineteenth century. Work Cited Chopin, Kate. â€Å"The Storm.† Literature an Introduction to Fiction, Poetry, Drama, and Writing. 121-124. Ed. X.J. Kennedy and Dana Gioia. Vol. 7th Edition. New York: PEARSON, 2013.

Synonyms for Trés

If you want to make your French sound more authentic, one place to start is with your vocabulary. In French classes, you tend to learn the most common, basic terms. The adverb trà ¨s is one example of a very common word that can be replaced by any of a number of synonyms, in both normal and informal registers. Take a look at this lesson to learn some different ways to say very, and be sure to note the differences in intensity. Each section includes the synonyms used in a sentence in French followed by the English translation of the sentence. Tres, Assez, and Bien Use trà ¨s  when you want to emphasize something. You can use trà ¨s  in front of adjectives, adverbs, and even certain nouns, such as those that refer to feelings but use  avoir—to be. Il est trà ¨s intelligent.   He is very smart.Jai trà ¨s faim.  Ã‚  I am very hungry. Use  assez, which translates as quite or rather, when your meaning is more nuanced.   Je suis assez fatiguà ©.   Im rather tired.La situation est assez inquià ©tante.   The situation is quite worrisome. Bien, which translates as very or quite, also provides a more nuanced meaning, as these examples show: Cest bien simple.   Its quite simple.Nous sommes bien contents.   Were very happy.Tenez-vous bien droit.   Stand up very straight. Going Beyond Very French has several synonyms for  trà ¨s  that create a greater emphasis than simply saying very, including the French adverbs for exceptionally, extraordinarily, extremely, and others as these examples show: Exceptionnellement   exceptionally Cà ©tait exceptionnellement difficile.   It was exceptionally difficult.La situation est exceptionnellement complexe.   The situation is exceptionally complicated. Note that exceptionnellement is a semi-false cognate, as it can also describe something as an exception to the norm, as in: Exceptionnellement, je vous en parlerai Just this once I will talk to you about it. Extraordinairement extraordinarily Elle est extraordinairement anxieuse.   She is extraordinarily anxious.Il a des cheveux extraordinairement frisà ©s.   He has extraordinarily curly hair. Extraordinairement can also mean in a bizarre way, as in:   Elle est và ªtue extraordinairement. She is dressed very strangely. Extrà ªmement extremely Il est extrà ªmement beau.   He is extremely handsome.Elle est extrà ªmement intelligente.   She is extremely intelligent. Fort most, veryThis use is formal and somewhat old-fashioned. Jen serais fort content   I would be most pleased about that.Cest une histoire fort triste.   Its a very sad story. Hautement highly, very Il est hautement qualifià ©.   He is highly qualified.Ce livre est hautement recommandà ©.   This book is highly recommended. Infiniment infinitely, immensely Je vous suis infiniment reconnaissant.   I am infinitely grateful (to you).Cette pià ¨ce est infiniment longue.   This play is immensely long. Tout   quite, very Je suis tout à ©tonnà ©.   Im quite surprised.Il est tout rouge.   Hes all/very red. Tout à   fait - completely, totally Cest tout à   fait normal.   Its totally normal.Je suis tout à   fait daccord.   I agree completely. Trop too, very Vous à ªtes trop aimable.   You are too kind.Elle est trop mignonne.   She is too cute. Note that trop technically means too rather than very, but it can be used like too in English when it means so very rather than excessively. Other Synonyms French offers a surprising variety of synonyms for  trà ¨s.  If you want to spice up your French a bit, check out the following ways to say very in this Romance language. Vraiment really, very Je suis vraiment fatiguà ©.   Im really tired.Elle est vraiment belle.   She is really beautiful. Bougrement  -  terribly,  really Tu vas bougrement vite.   Youre going terribly fast.Cette classe est bougrement difficile.   This class is really/bloody difficult Drà ´lement  Ã‚  awfully,  terribly,  really Ton film est drà ´lement bon.   Your movie is awfully good.Cest drà ´lement difficile.   Its really difficult. (UK) It isnt half difficult. Follement   incredibly Cà ©tait follement intà ©ressant.   It was incredibly interesting.Il est follement amusant.   He is really very funny. Hyper  Ã‚  really,  mega Elle est hyper sympa, cette nana.   That girl is really nice.Cest hyper important.   Its mega important. Joliment  Ã‚  really On est joliment bien ici. Were doing really well here; This is a really good place/situation for us.Il à ©tait joliment en retard.   He was really late. Rudement  Ã‚  really,  terribly Ton chapeau est rudement moche.   Your hat is really ugly.Cest rudement bon que...   Its really good that... Vachement  Ã‚  really, (UK)  bloody Cest  vachement  difficile!   Its really/bloody difficult!Cest vachement important pour moi.   Its really important to me.